Skip to Content

William Miles Personal Papers

 Collection
Identifier: FMA-FMA0003a

The William Miles Personal Papers form a small portion of the larger William Miles Collection. Included are approximately 9,086 photographs including images relating to Harlem, the 369th regiment, Miles Educational Films, Inc. Productions, Miles’ personal endeavors, film stills, publicity photographs, and various photo albums; approximately 1,270 video tapes containing materials toward Black Champions, I Remember Harlem, Black Stars in Orbit, Men of Bronze, The Different Drummer: Blacks in the Military, Liberators: Fighting on Two Fronts in World War II, James Baldwin, as well as tapes from Miles’ personal library; and 430 vinyl singles, 7 inch 45 rpm and 497 vinyl albums, 12 inch 33 rpm from Miles’ personal collection including a recording of Dr. Martin Luther King's Greatest Speeches, 29 singles by James Brown, 9 singles by Aretha Franklin, The Kingsmen "Louie, Louie," Dave Brubeck Quartet "Take Five," The Beatles "A Hard Day's Night," Marvin Gaye "I Heard It Through The Grapevine," The Jackson Five "I Want You Back," Otis Redding "(Sittin' on) The Dock of the Bay," Sly and the Family Stone "Everyday People," The Supremes "Stop! In the Name of Love," The Temptations "My Girl," Jackie Wilson "(Your Love Keeps Lifting Me) Higher and Higher," Smithsonian Collection "Voices of the Civil Rights Movement: Black American Freedom Songs 1960-1966," Marvin Gaye "What's Going On," Otis Redding "Otis Blue," Frank Sinatra "Songs for Swingin' Lovers!," Barbra Streisand "My Name is Barbra," Santana "Abraxas," The Dave Brubeck Quartet "Time Out," and Ray Charles "Modern Sounds in Country and Western Music."

Dates

  • Creation: circa 1977-2013

Creator

Conditions Governing Access

Open

Conditions Governing Use

Users of the collection must read and agree to abide by the rules and procedures set forth in the Materials Use Policies.

Providing access to materials does not constitute permission to publish or otherwise authorize use. All publication not covered by fair use or other exceptions is restricted to those who have permission of the copyright holder, which may or may not be Washington University.

If you wish to publish or license Special Collections materials, please contact Special Collections to inquire about copyright status at (314) 935-5495 or spec@wumail.wustl.edu. (Publish means quotation in whole or in part in seminar or term papers, theses or dissertations, journal articles, monographs, books, digital forms, photographs, images, dramatic presentations, transcriptions, or any other form prepared for a limited or general public.)

Extent

9,086 photographs

1,270 vhs

927 LP record

Biographical or Historical Information

William Miles was born in Harlem, New York, and has used his deep knowledge and experience of that borough to produce films that tell unique and often inspiring stories of Harlem’s history. Based at Thirteen/WNET in New York City, William Miles produced many films dedicated to the African-American experience that have been broadcast nationwide.

Miles’ interest in creating historical documentaries was nurtured through 25 years of restoring archival films and early feature classics for Killiam Shows, Inc. and the Walter Reade Organization in New York City. His best-known work, the four-part series I Remember Harlem (1981), is a comprehensive look at this famous borough’s diverse history. Beginning in the 1600s and going up to the early 1980s, the film chronicles the changes in Harlem. The program’s episodes include segments on Harlem’s early history and settlement, the Harlem Renaissance, the Great Depression in Harlem, the Civil Rights Movement and political activism in the era of Malcolm X, and the problems and redevelopment of the ’70s.

Miles’ breakthrough film was Men of Bronze, which opened at the New York Film Festival in 1977 and was later broadcast on PBS. This film is the definitive story of the black American soldiers of the 369th Infantry Regiment, known as the “Harlem Hellfighters,” who, because of segregation in the U.S. Army, fought under the French flag in World War I. The regiment spent more time in the front-line trenches that any other American unit, fighting alongside French, Moroccan, and Senegalese soldiers.

The Different Drummer: Blacks in the Military (1983) concentrated on African-American soldiers in recent decades. Miles’s three-part program Black Champions (1986) dealt with African-American athletes and their role in the fight against discrimination. Important topics included the impressive performances of various black athletes at the 1936 Berlin Olympics, Jackie Robinson’s integration of Major League Baseball, Althea Gibson’s achievements in tennis, and the careers of early black football stars.

One of the more intriguing portions of I Remember Harlem was interview footage of James Baldwin. Miles returned to the subject of that literary legend as one of the producers of James Baldwin: The Price of a Ticket, which debuted in 1989 as an episode of PBS’s American Masters series. Black Stars in Orbit (1990), a documentary about African-Americans in the space program, was followed by Liberators: Fighting on Two Fronts in World War II(1992), which Miles co-produced with Nina Rosenblum. The latter program continued Miles’s focus on the experiences of black soldiers and centered on the liberation of Nazi concentration camps. The Black West, an episode of the TBS series, The Untold West, presented the story of African Americans in the U.S. west in the late nineteenth century.

Mr. Miles has won an Emmy Award, been nominated for an Academy Award, and was inducted into the Black Filmmaker’s Hall of Fame. He has also received the Lifetime Achievement Award from the Association of Independent Video and Filmmakers (AIVF) for his outstanding contributions to the history of African Americans in the medium of film.

Related Materials

Title
William Miles Personal Papers
Description rules
dacs
Language of description
eng

Revision Statements

  • 2020 October 16: Resource record updated in ArchiveSpace by Sarah Schnuriger.

Collecting Area Details

Part of the Film & Media Archive Collecting Area

Contact:
Andy Uhrich
West Campus East Building. Lower Level (MSC 1061-141-B)
7425 Forsyth Blvd
Clayton MO 63105 US
(314) 935-5495