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Judy Richardson Personal Papers

 Collection
Identifier: FMA-FMA0002b

The Judy Richardson Personal Papers include material gathered and generated by Richardson involving her time at Blackside, Inc. Majority of material focuses on production of series including: Eyes on the Prize, Eyes on the Prize II, The Great Depression, America's War on Poverty, Malcolm X: Make it Plain, I'll Make Me a World, BreakThrough, This Far by Faith and Hopes on the Horizon. Includes episode treatments, various drafts of scripts, internal Blackside correspondence and research - some of which are annotated by Richardson, and personal correspondence to and from Richardson.

Dates

  • Creation: 1977-2010

Creator

Conditions Governing Access

Open

Conditions Governing Use

Users of the collection must read and agree to abide by the rules and procedures set forth in the Materials Use Policies.

Providing access to materials does not constitute permission to publish or otherwise authorize use. All publication not covered by fair use or other exceptions is restricted to those who have permission of the copyright holder, which may or may not be Washington University.

If you wish to publish or license Special Collections materials, please contact Special Collections to inquire about copyright status at (314) 935-5495 or spec@wumail.wustl.edu. (Publish means quotation in whole or in part in seminar or term papers, theses or dissertations, journal articles, monographs, books, digital forms, photographs, images, dramatic presentations, transcriptions, or any other form prepared for a limited or general public.)

Extent

14.00 linear feet

Biographical or Historical Information

Judy Richardson is a documentary filmmaker and civil rights activist. Born in Tarrytown, New York, she graduated from Swarthmore College in 1966. During her freshman year at Swarthmore, Richardson joined the Swarthmore Political Action Committee (SPAC), a Students for a Democratic Society affiliate. In 1963, Richardson traveled by bus on weekends, with other SPAC volunteers, to assist the Cambridge, Maryland, community in desegregating public accommodations. The Cambridge Movement was led by civil rights activist Gloria Richardson, with assistance from Student Nonviolent Coordinating Committee (SNCC) field secretaries such as Baltimore native Reggie Robinson. Richardson eventually joined the SNCC staff at the national office in Atlanta, where she worked closely with, among others, James Forman, Ruby Doris Smith-Robinson, and Julian Bond.

When the national office moved to Mississippi, during 1964 Mississippi Freedom Summer, Richardson relocated as well. Richardson also worked in SNCC’s projects in Lowndes County, Alabama with Stokely Carmichael and others and in Southwest Georgia. In 1965, Richardson became office manager for Julian Bond’s successful first campaign for the Georgia House of Representatives; she also organized a northern Freedom School to bring together young activists from SNCC’s Southern projects and Northern support offices.

In 1968, Richardson and other former SNCC staffers founded Drum and Spear Bookstore in Washington, D.C., which became the largest black bookstore in the country. Richardson was also the children’s editor of Drum and Spear Press. In 1970, Richardson wrote an essay on racism in black children’s books, published by Howard University’s Journal of Negro Education.

Richardson was researcher and series associate producer for the series Eyes on the Prize. Richardson later co-produced Blackside’s 1994 Emmy and Peabody Award-winning documentary, Malcolm X: Make It Plain (for PBS’s The American Experience).

Serving as a senior producer for Northern Light Productions in Boston, Richardson produced historical documentaries for broadcast and museums, with a focus on African American historical events, including: a one-hour documentary called Scarred Justice: Orangeburg Massacre 1968 (South Carolina) for PBS; two History Channel documentaries on slavery and slave resistance; and installations for, among others, the National Park Service’s Little Rock Nine Visitor’s Center, the National Underground Railroad Freedom Center (Cincinnati), the New York State Historical Society’s “Slavery in New York” exhibit, and the Paul Laurence Dunbar House (Dayton).

Richardson co-edited, Hands on the Freedom Plow: Personal Accounts by Women in SNCC published by University of Illinois Press. She serves on the board of directors of the SNCC Legacy Project. Also, Richardson was Distinguished Visiting Lecturer of Africana Studies at Brown University.

Method of Acquisition

Material was donated by Judy Richardson.

Related Materials

Processing Information

Processed by the Film and Media Staff, 2015-2016

Title
Judy Richardson Personal Papers
Description rules
dacs
Language of description
eng

Revision Statements

  • 2020 October 16: Resource record updated in ArchiveSpace by Sarah Schnuriger.

Collecting Area Details

Part of the Film & Media Archive Collecting Area

Contact:
Andy Uhrich
West Campus East Building. Lower Level (MSC 1061-141-B)
7425 Forsyth Blvd
Clayton MO 63105 US
(314) 935-5495