Box 8
Contains 56 Results:
Series 3: Correspondence and Documents Related to the Work of Eugene O'Neill, 1924-1961
Series 3 consists of correspondence, contracts, binding agreements and other official documents, often signed by O'Neill and other key persons. The documents mainly relate to theatrical, radio and motion picture productions, as well as royalties and rights. Arranged chronologically. Additional contracts can be found in Series 5: Materials Related to Permier Eugene O'Neill Productions.
Contract giving Leon Mirlas rights to Long Day's Journey Into Night in Spanish, 1956 February 21
Document signed, 2 pages, New York, by Carlotta O'Neill, Leon Mirlas, and Jane Rubin to Leon Mirlas. Item description
Contract giving Leon Mirlas rights to A Touch of the Poet in Spanish, 1958 February 3
Document signed, 2 pages, New York, by Carlotta O'Neill, Leon Mirlas, and Jane Rubin to Leon Mirlas. Item description
Contract giving Leon Mirlas rights to Hughie in Spanish, 1960 January 14
Document signed, 2 pages, New York, by Carlotta O'Neill, Leon Mirlas, and Jane Rubin to Leon Mirlas. Item description
Correspondence response to reference request regarding Days Without End, 1961 April 28
Theatre Guild to Gertrude D. Heely. Carbon, 1 page. Includes original correspondence from Heely, April 27, 1961
Confirmation of Theatre Guild's rights to A Moon for the Misbegotten, 1947 May 13
Document signed, 1 page by Eugene O'Neill and Lawrence Langner.
Radio contract for The Straw, 1947 July 9
Document signed, 2 pages by Eugene O'Neill and Armina Marshall.
Agreement changing credits for film version of Mourning Becomes Electra, 1947 November 3
Document signed, 1 page by Eugene O'Neill, Lawrence Langner, and RKO Radio Pictures.
Correspondence regarding agreement for A Moon for the Misbegotten, 1948 February 4
Sara Greenspan to Dramatists' Guild of the Authors' League of America, Inc. Original and carbon, 1 page (2 items)